故事发生在1933年，格蕾丝（布莱丝·达拉斯·霍华德 Bryce Dallas Howard 饰）和父亲离开狗镇一路南下，希望寻找一个稳定安全的落脚点。一行人来到了阿拉巴马州，停在了曼德勒庄园的门前。 　　正当众人准备离开此地之时，格蕾丝忽然收到了一名年轻黑人女子的求助，女子告诉格蕾丝，在曼德勒庄园里，正在发生一些惨无人道的事情。枝蔓丛生的慢的了庄园之中，时间似乎停止了，尽管奴隶们早已经获得了自由，但在这里，依旧沿用着森严的奴隶制度。不顾父亲的阻止，格蕾丝执意要留在此处解放奴隶，父亲留给了格蕾丝一些保镖和一名律师，绝尘而去，形单影只的格蕾丝面对强大而又固执的奴隶主们，会做出怎样的反击呢？

故事发生在1933年，格蕾丝（布莱丝·达拉斯·霍华德 Bryce Dallas Howard 饰）和父亲离开狗镇一路南下，希望寻找一个稳定安全的落脚点。一行人来到了阿拉巴马州，停在了曼德勒庄园的门前。 　　正当众人准备离开此地之时，格蕾丝忽然收到了一名年轻黑人女子的求助，女 子告诉格蕾丝，在曼德勒庄园里，正在发生一些惨无人道的事情。枝蔓丛生的曼德勒庄园庄园之中，时间似乎停止了，尽管奴隶们早已经获得了自由，但在这里，依旧沿用着森严的奴隶制度。不顾父亲的阻止，格蕾丝执意要留在此处解放奴隶，父亲留给了格蕾丝一些保镖和一名律师，绝尘而去，形单影只的格蕾丝面对强大而又固执的奴隶主们，会做出怎样的反击呢？

秀兰在《曼德勒》中，与凯·弗朗西斯和里卡多·柯兹一起乘坐一列丛林蒸汽火车，走马灯似地露了一面。

《聚焦费德勒》（Watching Federer），这是一部关于球王费德勒的纪录片，由瑞士洛森公司出品。

故事发生在风景如画的弗朗德勒，蒂斯特曼（塞缪尔·鲍伊丁 Samuel Boidin 饰）在此地经营着一间农场，过着形单影只的孤单生活。闲暇时，蒂斯特曼会找到名叫芭比（阿德莱德·勒胡 Adélaïde Leroux 饰）的女子，两人来一场激情四射的约会。芭比是当地有名的妓女，亦是男人们心目中的大众情人，然而，蒂斯特曼是发自内心的爱着芭比，只是他选择将这份感情深深埋藏在心底。 　　战争爆发了，蒂斯特曼和许多同他一样的年轻人们一起走上了前线，那里发生的每一件事情都在刷新着蒂斯特曼三观的下线，随着时间的推移，蒂斯特曼渐渐迷失在了杀戮之中，泯灭了人性。那一边，芭比因为一场意外而被送入了精神病院，当她和蒂斯特曼再度相遇之时，他们都已经成为了和过去完全截然不同的人。

Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

艾琳娜·森德勒被称为波兰的“女辛德勒”，她曾冒死从纳粹手中救下了超过2500名犹太儿童，如今她的故事将被改编成电影，饰演这一真实生活中女英雄的，则是“神奇女侠”盖尔·加朵。《艾琳娜·森德勒》（Irena Sendler）会由华纳出品，加朵和丈夫共同制片。

在二战中，被德国法西斯杀害的犹太人有570万名之多，影片就是以此为背景。　　德国投机商人辛德勒是一个坚定的纳粹党人，他好女色、会享受，善于利用关…

艾琳娜·森德勒被称为波兰的“女辛德勒”，她曾冒死从纳粹手中救下了超过2500名犹太儿童，如今她的故事将被改编成电影，饰演这一真实生活中女英雄的，则是“神奇女侠”盖尔·加朵。《艾琳娜·森德勒》（Irena Sendler）会由华纳出品，加朵和丈夫共同制片。

时装圈用了崇敬的字眼来称呼他：“大师”、“泰斗”、“权威”……而他于1月份举行的那场告别时装秀则被媒体描述为“泪花中的掌声”。当时巴黎的蓬皮杜中心内外聚集了几千位观众，从应邀的各界名流到在寒风中观看大屏幕直播的YSL衷心爱戴者。这场表演集中了圣洛朗40多年来设计的精华，而从历史的角度来看，这就是战后欧洲时装发展的重演：从最初解放女性的长裤套装、夹克上装，到经典的代表作“蒙瑞安色块”和“毕加索系列”，再到由他首创的黑色性感透视装，正如他所说的“时装并不仅是让女性更美，而是要在精神上支持她们，让她们变得更自信。。